Table of Contents

  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN

    Fereydoun Moezi Moghadam

    an institute with a wide range of cultural, artistic, and educational activities for children and adolescents, founded in December 1965.

  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN i. Establishment of Kanun

    Fereydoun Moezi Moghadam

    Kanun’s goal was to produce and offer support and services for children in better settings than the grim and austere school classrooms, namely, in newly built and colorful centers where children would be welcomed by their own specialized librarians and artistic guides. Here children could study or borrow books, view movies, and take art classes.

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  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN ii. Libraries

    Fereydoun Moezi Moghadam

    A children’s library, conceived by the founders of Kanun as a pilot project for future libraries, was approved, and construction began in 1965.

  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN ii. Libraries

    Fereydoun Moezi Moghadam

    an institute with a wide range of cultural, artistic, and educational activities for children and adolescents, founded under the patronage of Queen (Shahbanou) Farah Pahlavi in December 1965.

  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN iii. Book Publishing

    Fereydoun Moezi Moghadam

    Shirvanlu, rightly convinced that the few already known children’s writers were not the sole answer to Kanun’s children’s book project, approached many writers of adult literature—novelists, translators, dramatists, essayists in social sciences, and scholars in humanities—and invited them to try their hand in this new field.

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  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN iv. International Film Festivals

    Fereydoun Moezi Moghadam

    Many world-renowned  artists and masters were invited to to participate as International Jury members for the festivals.

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  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN v. Film Production: 1970-77

    Fereydoun Moezi Moghadam

    Kanun productions were the first experience of film direction for a number of today’s best-known Iranian directors. All internationally recognized Iranian animation film directors started their work at Kanun, and many have continued to cooperate with it.

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  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN vi. Music and Sound Production

    Fereydoun Moezi Moghadam

    In less than eight years, the Center for the Production of Records and Cassettes for Children and Young Adults produced five collections of quality recordings. Also produced were a series of audio books for children.

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  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN vii. Visual Arts Training Center

    Fereydoun Moezi Moghadam

    The Visual Arts Training Center became a real entity long after each artistic training program was created and was in operation.

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  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN viii. The Pioneers and Promoters

    Fereydoun Moezi Moghadam

    Aḥmad-Reżā Aḥmadi, avant-garde poet, started as a writer for Kanun. He was appointed as manager of the sound recording production section at the encouragement and behest of Kanun’s managing director in 1970.

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  • KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN ix. From 1979 to 2009: An Overview

    Fereydoun Moezi Moghadam

    Due to Iran’s rapid urbanization and in order to cope with the increasing demands for cultural centers, Kanun needed to develop and to expand its centers.

  • KAPADIA, DINSHAH DORABJI

    Burzine K. Waghmar

    Parsi scholar and educator. He was promoted in 1919 as a commissioner of the Indian Educational Service and taught mathematics in Poona and Bombay.

  • KAPISA

    Cross-Reference

    (Kāpiśa), the ancient region of Kabul. See BEGRAM.

  • ḴĀQĀNI ŠERVĀNI

    Anna Livia Beelaert

    a major Persian poet and prose writer (b. Šervān, ca. 521/1127; d. Tabriz, between 582/1186-87 and 595/1199).

  • ḴĀQĀNI ŠERVĀNI i. Life

    Anna Livia Beelaert

    (1127-1186/1199), major Persian poet and prose writer.

  • ḴĀQĀNI ŠERVĀNI ii. Works

    Anna Livia Beelaert

    a major Persian poet and prose writer (b. Šervān, ca. 521/1127; d. Tabriz, between 582/1186-87 and 595/1199). Ḵāqāni’s fame rests on his qaṣidas, of which, in Żiāʾ-al-Din Sajjādi’s edition, there are one hundred and thirty-two.

  • KĀR-NĀMA-YE BALḴ

    J. T . P. de Bruijn

    a short maṯnavi by Sanāʾi of Ghazna (d. 1131), containing panegyric as well as satirical verses addressed to, or describing, people from various layers of Ghaznavid society.

  • KĀR-NĀMAG Ī ARDAŠĪR Ī PĀBAGĀN

    C. G. CERETI

    short prose work written in Middle Persian. It narrates the Sasanian king Ardašīr I’s life story—his rise to the throne, battle against the Parthian king Ardawān, and conquest of the empire. 

  • KARABALGASUN

    Toshio Hayashi, Y. Yoshida

    or Khar Balgas “Black ruined city” in Mongolian. This entry consists of two sections: i. The site  ii. The inscription.

  • KARABALGASUN i. The Site

    Toshio Hayashi

    archeological site of a capital of the Uighur Khaghanate (second half of the 8th century to first half of the 9th century). Karabalgasun is located in the Orkhon valley, 320 km west of Ulan Bator (Ulaanbaatar), 30 km north of Karakorum.