In Ashkhabad, Forutan had the opportunity to study under the Bahai scholar, Mirzā Mahdi Golpāygāni, and at his bidding gave lectures at Bahai meetings and wrote articles for the Bahai magazines Fekr-e-javān and Ḵoršid-e ḵāvar. When he was in secondary school, Forutan served as a member of the Bahai Youth Committee in Ashkhabad.
(b. Rašt, 1910; d. London, 1972), pen name of the poet MAJD-AL-DIN MIR-FAḴRĀʾI. Throughout the 1940s, Golčin sent his compositions to Persia for publication; many appeared in the literary journals of the period, such as Soḵan, Yaḡmā, Armaḡān, Foruḡ, Yādgār, and Jahān-e now.
Fascicle 2 of Volume XVI
The most recent fascicle in the print edition of Encyclopædia Iranica appeared during the second quarter of 2013. This fascicle continues the development of letter “K” topics. It begins with the ancient KASSITES and ends with the beginning of titles with initial Ke-. Especially notable in this fascicle is the comprehensive survey of the Kayanid dynasty in the traditional history of Iran, as recorded in our sources both pre-Islamic and Islamic. This entry by Prof. P. O. Skjærvø, under the title KAYĀNIĀN, is now available at this website, along with all other entries in the fascicle.
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(1937-1983), a modernist artist, educator and among the founders of the Saqqā-ḵāna School of Art.
Faramarz grew up in a middle class family and attended Tehran’s School of Decorative Arts for Boys.
Pilaram was among the first group of Iranian artists who focused on Iranian heritage and mythical motifs, making him one of the founders of the Saqqā-ḵāna movement. He manipulated traditional paintings and calligraphy, as raw material, to transform the elegant Persian letters into ‘nonsensical writing’.
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