It is likely that substitution ciphers were used by early Persian states, for nearly identical versions were still in use in Qajar Persia. During the reigns of Fatḥ-ʿAlī Shah and Moḥammad Shah (1834-48) the minister Abu’l-Qāsem Qāʾemmaqām devised a number of letter-substitution codes for communicating with different princes and viziers.
a traditional footwear in Persia, mainly consisting of an upper part made of twined white cotton thread sewn up on the edges of a cloth and leather or rubber sole. The earliest known mention of the word giva is probably that in the Širāz-nāma (comp. ca. 1333) of Abu’l-ʿAbbās Zarkub Širāzi, where he mentions the bāzār-e giva-duzān (giva-makers’ market) of Shiraz.
Fascicle 2 of Volume XVI
The most recent fascicle in the print edition of Encyclopædia Iranica appeared during the second quarter of 2013. This fascicle continues the development of letter “K” topics. It begins with the ancient KASSITES and ends with the beginning of titles with initial Ke-. Especially notable in this fascicle is the comprehensive survey of the Kayanid dynasty in the traditional history of Iran, as recorded in our sources both pre-Islamic and Islamic. This entry by Prof. P. O. Skjærvø, under the title KAYĀNIĀN, is now available at this website, along with all other entries in the fascicle.
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(1937-1983), a modernist artist, educator and among the founders of the Saqqā-ḵāna School of Art.
Faramarz grew up in a middle class family and attended Tehran’s School of Decorative Arts for Boys.
Pilaram was among the first group of Iranian artists who focused on Iranian heritage and mythical motifs, making him one of the founders of the Saqqā-ḵāna movement. He manipulated traditional paintings and calligraphy, as raw material, to transform the elegant Persian letters into ‘nonsensical writing’.
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