Ever since the appearance of the Šāh-nāma, Ferdowsī has been held in high esteem, and many poets have referred to him and his work, the best known being Saʿdī’s tribute in the Būstān to “Ferdowsī-ye pāk-zād,” quoting a line from him even though the verse itself has not been found in the Šāh-nāma .
the dialect spoken by the native population of Bandar ʿAbbās, administrative center of the Hormozgān province, and of its environs. Bandari belongs to the southwestern group of the Iranian languages. It is tightly encircled by a number of other, less known dialects located between Lārestān and Bašākerd.
Fascicle 2 of Volume XVI
The most recent fascicle in the print edition of Encyclopædia Iranica appeared during the second quarter of 2013. This fascicle continues the development of letter “K” topics. It begins with the ancient KASSITES and ends with the beginning of titles with initial Ke-. Especially notable in this fascicle is the comprehensive survey of the Kayanid dynasty in the traditional history of Iran, as recorded in our sources both pre-Islamic and Islamic. This entry by Prof. P. O. Skjærvø, under the title KAYĀNIĀN, is now available at this website, along with all other entries in the fascicle.
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(1937-1983), a modernist artist, educator and among the founders of the Saqqā-ḵāna School of Art.
Faramarz grew up in a middle class family and attended Tehran’s School of Decorative Arts for Boys.
Pilaram was among the first group of Iranian artists who focused on Iranian heritage and mythical motifs, making him one of the founders of the Saqqā-ḵāna movement. He manipulated traditional paintings and calligraphy, as raw material, to transform the elegant Persian letters into ‘nonsensical writing’.
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