Kanun’s goal was to produce and offer support and services for children in better settings than the grim and austere school classrooms, namely, in newly built and colorful centers where children would be welcomed by their own specialized librarians and artistic guides. Here children could study or borrow books, view movies, and take art classes.
The town had 55,000 inhabitants in 1976 and 110,643 in 2006 (Markaz-e Āmār-e Irān), mainly Gilaks and Turks. The latter are mostly emigrants (mohâjer) from Azerbaijan when it was under Soviet rule, and they are particularly numerous in the fisheries and port activities.
Fascicle 2 of Volume XVI
The most recent fascicle in the print edition of Encyclopædia Iranica appeared during the second quarter of 2013. This fascicle continues the development of letter “K” topics. It begins with the ancient KASSITES and ends with the beginning of titles with initial Ke-. Especially notable in this fascicle is the comprehensive survey of the Kayanid dynasty in the traditional history of Iran, as recorded in our sources both pre-Islamic and Islamic. This entry by Prof. P. O. Skjærvø, under the title KAYĀNIĀN, is now available at this website, along with all other entries in the fascicle.
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(1937-1983), a modernist artist, educator and among the founders of the Saqqā-ḵāna School of Art.
Faramarz grew up in a middle class family and attended Tehran’s School of Decorative Arts for Boys.
Pilaram was among the first group of Iranian artists who focused on Iranian heritage and mythical motifs, making him one of the founders of the Saqqā-ḵāna movement. He manipulated traditional paintings and calligraphy, as raw material, to transform the elegant Persian letters into ‘nonsensical writing’.
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