The earliest-known representation of lion and sun as a banner device is a miniature painting illustrating a copy, dated 1423, of the Šāh-nāma of Šams-al-Dīn Kāšānī—an epic composition on the Mongol conquest. A similar early depiction is on a large, double-paged miniature dated ca. 1460.
outstanding archeological site with substantial Sasanian and Il-khanid ruins in Azerbaijan, between Bijār and Šāhin-dež, about 30 km north-northeast of Takāb. Up to the early Islamic time the geographical name of the place and the region was Šiz.
Fascicle 2 of Volume XVI
The most recent fascicle in the print edition of Encyclopædia Iranica appeared during the second quarter of 2013. This fascicle continues the development of letter “K” topics. It begins with the ancient KASSITES and ends with the beginning of titles with initial Ke-. Especially notable in this fascicle is the comprehensive survey of the Kayanid dynasty in the traditional history of Iran, as recorded in our sources both pre-Islamic and Islamic. This entry by Prof. P. O. Skjærvø, under the title KAYĀNIĀN, is now available at this website, along with all other entries in the fascicle.
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(1937-1983), a modernist artist, educator and among the founders of the Saqqā-ḵāna School of Art.
Faramarz grew up in a middle class family and attended Tehran’s School of Decorative Arts for Boys.
Pilaram was among the first group of Iranian artists who focused on Iranian heritage and mythical motifs, making him one of the founders of the Saqqā-ḵāna movement. He manipulated traditional paintings and calligraphy, as raw material, to transform the elegant Persian letters into ‘nonsensical writing’.
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