(1862-1937), pioneer of Iranian studies in America and prominent Iranist for half a century. The most important book of Jackson perhaps was Zoroaster, the Prophet of Ancient Iran (1898). He was not among those who belittled indigenous traditions, nor did he embrace positivistic historiography. He had an abiding faith in the basic historicity of these sources.
Highly relevant are the subjects Mithraism and Zurvanism. It is here assumed that the exposure of Zoroastrian priests to Near Eastern divination, from the Achaemenid period on, helped foster cosmological speculation; and this developed a body of myth around Zurwān “Time,” who must already have served as a personification of the fructifying year-cycle.
Fascicle 2 of Volume XVI
The most recent fascicle in the print edition of Encyclopædia Iranica appeared during the second quarter of 2013. This fascicle continues the development of letter “K” topics. It begins with the ancient KASSITES and ends with the beginning of titles with initial Ke-. Especially notable in this fascicle is the comprehensive survey of the Kayanid dynasty in the traditional history of Iran, as recorded in our sources both pre-Islamic and Islamic. This entry by Prof. P. O. Skjærvø, under the title KAYĀNIĀN, is now available at this website, along with all other entries in the fascicle.
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(1937-1983), a modernist artist, educator and among the founders of the Saqqā-ḵāna School of Art.
Faramarz grew up in a middle class family and attended Tehran’s School of Decorative Arts for Boys.
Pilaram was among the first group of Iranian artists who focused on Iranian heritage and mythical motifs, making him one of the founders of the Saqqā-ḵāna movement. He manipulated traditional paintings and calligraphy, as raw material, to transform the elegant Persian letters into ‘nonsensical writing’.
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