Table of Contents
No work of architecture or art can be attributed with certainty to an Achaemenid earlier than Cyrus the Great. Only a cylinder seal, now lost, but several times used on later bullae at Persepolis, can possibly have belonged to an older member of the family.This Article Has Images/Tables.
S. B. Downey
monuments generally included in discussions of Parthian art come from the periphery of the Parthian world—Syria, Mesopotamia, the edges of the Iranian plateau.
P. O. Harper
There are major remains of many different types: monumental rock reliefs, silver vessels, stucco architectural decoration, and seals.
Although archeological investigation has revealed the existence of sedentary communities in eastern Iran and Transoxiana from the Neolithic period, monumental works of art of the pre-Islamic age are there evidenced only from the early medieval period that corresponds with the Parthian and Sasanian dynasties in Iran.This Article Has Images/Tables.
Of especial importance for the development of art in Islamic Iran was the cultural and artistic legacy of the immediate past.
G. A. Pugachenkova
Under Islam the sculpture and mural painting previously displayed in Central Asia almost completely disappeared, and ornament took pride of place.
The arts of the Safavid period show a far more unitary development than in any other period of Iranian art.
J. M. Scarce
Qajar art is characterized by an exuberant style and flamboyant use of color, which became more emphatic as the 19th century progressed; here Persian art may be compared with developments in 19th-century Europe, where technological mastery made virtuoso forms of decoration possible.This Article Has Images/Tables.
B. W. Robinson
The unsettled political situation following the death of Karīm Khan left little opportunity for schools of painting to flourish and develop. But even before their rise to supreme power the Qajars had captured the services of at least one painter who set a high standard for the first generation of their rule.This Article Has Images/Tables.
About the mid-1950s, Iranian modernists started to receive official encouragement via the Department General of Fine Arts (later to become the Ministry of Arts and Culture).