Table of Contents

  • ART IN IRAN iv. PARTHIAN Art

    S. B. Downey

    monuments generally included in discussions of Parthian art come from the periphery of the Parthian world—Syria, Mesopotamia, the edges of the Iranian plateau.

  • ART IN IRAN v. SASANIAN ART

    P. O. Harper

    There are major remains of many different types: monumental rock reliefs, silver vessels, stucco architectural decoration, and seals.

  • ART IN IRAN vi. PRE-ISLAMIC EASTERN IRAN AND CENTRAL ASIA

    G. Azarpay

    Although archeological investigation has revealed the existence of sedentary communities in eastern Iran and Transoxiana from the Neolithic period, monumental works of art of the pre-Islamic age are there evidenced only from the early medieval period that corresponds with the Parthian and Sasanian dynasties in Iran.

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  • ART IN IRAN vii. ISLAMIC PRE-SAFAVID

    P. Soucek

    Of especial importance for the development of art in Islamic Iran was the cultural and artistic legacy of the immediate past.

  • ART IN IRAN viii. ISLAMIC CENTRAL ASIA

    G. A. Pugachenkova

    Under Islam the sculpture and mural painting previously displayed in Central Asia almost completely disappeared, and ornament took pride of place.

  • ART IN IRAN ix. SAFAVID To Qajar Periods

    A. Welch

    The arts of the Safavid period show a far more unitary development than in any other period of Iranian art. 

  • ART IN IRAN x.1 Art and Architecture of the Qajar Period

    J. M. Scarce

    Qajar art is characterized by an exuberant style and flamboyant use of color, which became more emphatic as the 19th century progressed; here Persian art may be compared with developments in 19th-century Europe, where technological mastery made virtuoso forms of decoration possible.

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  • ART IN IRAN x.2 Qajar Painting

    B. W. Robinson

    The unsettled political situation following the death of Karīm Khan left little opportunity for schools of painting to flourish and develop. But even before their rise to supreme power the Qajars had captured the services of at least one painter who set a high standard for the first generation of their rule.

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  • ART IN IRAN xi. POST-QAJAR

    K. Emāmī

    About the mid-1950s, Iranian modernists started to receive official encouragement via the Department General of Fine Arts (later to become the Ministry of Arts and Culture).

  • ART IN IRAN xii. IRANIAN PRE-ISLAMIC ELEMENTS IN ISLAMIC ART

    Maria Vittoria Fontana

    A striking example of town-planning is the round city of Baghdad, the ʿAbbasid capital founded by caliph Abu Jaʿfar al-Manṣur in 762. This circular plan, originally derived most probably from the structure of Assyrian military camps (circular or oval enclosures), was a characteristic feature of major Parthian and Sasanian towns.

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