Search Results for “tree”
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TREE
Cross-Reference
See DERAḴT.
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PLANE TREE
Cross-Reference
See ČENĀR.
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ĀLBĀLŪ
A. Parsa
(or ĀLŪBĀLŪ), sour cherry (Cerasus vulgaris), a tree of western Asia and eastern Europe.
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ANUŠAWAN
J. R. Russell
grandson of Ara, legendary king of Armenia, called sawsanuēr “devoted to the plane tree.”
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BIRCH
Hūšang Aʿlam
(Pers.tūs), the genus Betula L., found in western Azerbaijan, along the Karaj river, and other locations on the southern slopes of the Alborz.
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BARG-E BŪ
A. Parsa
(or deraḵt-e ḡār; Eng. laurel and sweet bay), Laurus nobilis, the most popular species of the family Lauraceae, the one used for laurel wreaths. The tree is common in Persian gardens.
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AFRĀ
A. Parsa
Persian term for the maple tree (genus Acer), also embracing a few shrubs of the family Aceraceae.
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BEECH
Hūšang Aʿlam
Fagus L. Modern Iranian botanists tend to refer to this tree as rāš. Its timber is used more than any other wood for making doors, windows, inexpensive furniture, and tools.
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ĀZĀD
M. Bazin
Zelkova crenata or Siberian elm, a tree of the Ulmaceae family, for which also other scientific names, such as Zelkova carpinifolia, Zelkova hyrcana, Planera crenata, and Planera Richardi, have been proposed.
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BĀLANG
W. Eilers
citron, the fruit of a species of citrus tree (Citrus medica cedrata). This article discusses the history of the word.
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CORNELIAN CHERRY
Hūšang Aʿlam
the male cornel tree, a dogwood shrub with edible berries.
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DAḴĪL
Ḥosayn-ʿAlī Beyhaqī
lit. “interceder”; a piece of rag or cord or a lock fastened (daḵīl bastan) on a sacred place or object, for example, the railing around a saint’s tomb or grave or a public fountain (saqqā-ḵāna), the branch of a tree considered sacred, or another plant, in order to obtain a desired benefit.
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FRĀXKARD
Ahmad Tafazzoli
name of the cosmic ocean in Iranian mythology.
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ʿANBAR
Ž. Mottaḥedīn
(ambergris), a waxy, aromatic substance produced in the intestines of stomach of the sperm whale and used in perfumery.
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JUJUBE
Hušang Aʿlam
(ʿonnāb), the edible drupe of the jujube tree Ziziphus jujuba Miller.
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BARSOM
M. F. Kanga
(Av. barəsman), sacred twigs that form an important part of the Zoroastrian liturgical apparatus. The number varies according to the ceremony to be performed. Today brass or silver wires are used in place of twigs.
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DĀR(- E) TANHĀ
Ernie Haerinck
lit., “the lonely tree”; an archeological site in the district of Badr, near the village of Jabar, ca. 70 km east-southeast of Īlām, in the province of Pošt-e Kūh.
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SIMORḠ
Hanns-Peter Schmidt
(Persian), Sēnmurw (Pahlavi), Sīna-Mrū (Pāzand), a fabulous, mythical bird. The name derives from Avestan mərəγō saēnō ‘the bird Saēna’, originally a raptor, either eagle or falcon, as can be deduced from the etymologically identical Sanskrit śyená.
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HAZELNUT
H. Aʿlam
(fandoq), the hard-shelled fruit of the shrub (or small tree) Corylus avellana L. (fam. Corylaceae), containing an edible kernel of high nutritious value.
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ANAPHAS
R. Schmitt
Persian male name.
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ELM
Hūšang Aʿlam
any of several species of hardy deciduous ornamental or forest trees of the genus Ulmus L. (fam. Ulmaceae), typically called nārvan in Persian.
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DĀRČĪNĪ
Hūšang Aʿlam
lit., “Chinese tree/wood."
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ČAMRŪŠ
Alan V. Williams
a mythical bird that in the Pahlavi books, of all birds of land and sky, is second only to the Sēn bird in worth.
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DRAXT Ī ĀSŪRĪG
Aḥmad Tafażżolī
lit. "The Babylonian tree"; a versified contest over precedence between a goat and a palm tree, composed in the Parthian language, written in Book Pahlavi script, and consisting of about 120 verses.
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ARDESTĀNI
P. Lecoq
the dialect spoken in the small town of Ardestān.
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SAQQEZ
Bahram Grami
a semifluid resin obtained from cuts and cracks of the wild pistachio trees, found in its natural habitats in Iran.
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JAŽN-Ā JAMĀʿIYA
Khalil Jindy Rashow
(Feast of the Assembly), the great communal festival of the Yazidis.
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ʿABD-AL-ʿAẒĪM AL-ḤASANĪ
W. Madelung
Shiʿite ascetic and transmitter buried in the main sanctuary of Ray (9th century).
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ČĀR BAKR
G. A. Pugachenkova
(lit. “four Bakrs”), family necropolis of the powerful Jūybāri shaikhs near the village of Sumitan.
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DERAḴT
Hūšang Aʿlam
tree, shrub.
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AIWYǠŊHANA
M. F. Kanga
Avestan term “wrapping round, girdle”: (1) a strip from a date-palm leaf used to tie bundle of wires which constitute the barsom, (2) the kusti or sacred girdle.
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OLIVE TREE
Willem Floor
(zaytun). The cultivated olive tree (Olea europaea L, Oleaceae) is a long-lived, evergreen tree native to the Mediterranean basin. It is valued for its fruit and oil.
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CASSIA
Hūšang Aʿlam
a genus of shrubs and trees of the family Leguminosae (or Caesalpiniaceae in some classifications).
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BEH
Wilhelm Eilers, Hūšang Aʿlam, Nesta Ramazani
“quince, Cydonia.” i. The word. ii. The tree. iii. Culinary uses of the fruit. Wild quince trees are found in the Caucasus, and the cultivated variety may have originated there.
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DAHBĪDĪYA
Hamid Algar
a hereditary line of Naqšbandī Sufis centered on the shrine at Dahbīd, a village about 11 km. from Samarqand.
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DERAḴT-E ANJIR-E MAʿĀBED
LOQMĀN TADAYON-NEŽĀD
the last and highly acclaimed work of fiction by Ahmad Mahmud.
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BĀḠ iii. In Persian Literature
W. L. Hanaway
Bāḡ appears both as an object of description and as the prime source of nature imagery in Persian literature.
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BAḴTAK
F. Gaffary
a folkloric she-creature of horrible shape, personifying a nightmare. Baḵtak resembles the Āl, another “female devil” of Iranian folklore.
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SE QAṬRA ḴUN
SOHILA SAREMI
short story by Ṣādeq Hedāyat in a collection with the same title.
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NAḴL
Peter Chelkowski
As ritual objects for the ʿĀšurāʾ, naḵls are built from wood in various sizes, from simple constructions that can be carried by two persons to colossal structures about three stories high that have to be supported by hundreds of men.
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BĀDĀM
X. de Planhol, N. Ramazani
“almond.” i. General. ii. As food. The genus Amygdalus is very common in Iran and Afghanistan and throughout the Turco-Iranian area.
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COLUMNS
Wolfram Kleiss
one of several kinds of upright, load-bearing architectural members encompassed, along with piers, in the term sotūn. In the Achaemenid palaces at Persepolis and Susa columns, whether plain or fluted, reached a height of 19 m and a diameter up to 1.60 m; they were topped by double-protome capitals, themselves an additional 8 m high.
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ESTHER, BOOK OF
Shaul Shaked
a short book of the Old Testament, written in Hebrew.
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LILAC
Ahmad Aryavand and Bahram Grami
a fragrant shrub of the olive family. Different varieties exist with blue and purple flowers, used for aroma, decorative, and medicinal purposes. The Persian lilac is a small shrub and has been a garden favorite in Iran for centuries and today occurs in various parts of the country.
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CYPRESS
Hūšang Aʿlam
(sarv), Cupressus (Tourn.) L. The genus Cupressus is represented in Persia by one species (sempervirens L.), with three varieties: the cereiform (cereiformis Rehd.), called sarv-e nāz in Shiraz; the more common pyramidal or fastigiate, variously called sarv-e šīrāzī (Shiraz cypress) and sarv-e kāšī (Kāšān cypress); and the horizontal, known popularly by several names but usually referred to as zarbīn by modern Persian botanists.
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BAHMAN YAŠT
W. Sundermann
Middle Persian apocalyptical text preserved in Pahlavi script, a Pāzand (i.e., Middle Persian in Avestan script) transliteration, and a garbled New Persian translation.
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BOXTREE
Hūšang Aʿlam
Buxus L. spp., šemšād, common name for numerous species of evergreen shrubs or trees of the family Buxaceae. The species B. sempervirens grows wild in lowland or plain forests of the Caspian provinces.
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ṬUBĀ VA MAʿNĀ-YE ŠAB
Houra Yavari
novel (1987) by Shahrnush Parsipur, fiction writer and essayist, generally regarded as one the first instances of magical realism in modern Iran. The novel’s creative use of magical realism is colored by a distinctly mystical tone and has borrowed much of its flavor from Iran’s Illuminationist Philosophy.
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CARMANIA
Rüdiger Schmitt
ancient region east of Fārs province, approximately equivalent to modern Kermān. The Old Persian form is attested only once in inscriptions.
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ABU’L-ḤASAN NĀDER-AL-ZAMĀN
D. Duda
Emperor Jahāngīr had him trained to be a court painter like his father. By their use of color and line, father and son together noticeably strengthened the Persian elements in the Mughal painting of the period.
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