ʿABD-AL-JALĪL BELGRĀMĪ

 

ʿABD-AL-JALĪL BELGRĀMĪ, major 17th/18th century Indo-Muslim litterateur. He was born at Belgram in 1071/1661. His father, Mīr Aḥmad, was a noted calligrapher and philologist belonging to the Vāseṭī Sayyeds who had emigrated to Belgram in 614/1217-18 (Āzād Belgrāmī, Sarv-e āzād, Hyderabad, n.d., p. 256). After receiving his basic education at home, ʿAbd-al-Jalīl traveled to various cities in Uttar Pradesh. He stayed in Lucknow for five years, joining the circle of those devoted to the famous Naqšbandī Shaikh Ḡolām, though he subsequently became the disciple of Sayyed Yāsīn Ḥamavī (Belgrāmī, Maʾāṯer al-kerām, Agra, 1910, p. 258). From Lucknow he went to Bihar and stayed in Patna as the guest of the dīvān (civil governor) Shah Ḥosayn. After a brief stay there, he returned to his native Belgram. In 1104/1692-93, ʿAbd-al-Jalīl set out for the Deccan, but his trip was ill-fated and he had to return to Belgram after a very short time. In 1111/1699-1700 he undertook a second trip to the Deccan. During this journey he presented a set of chronograms in Arabic, Persian, Turkish, and Hindi, written to celebrate the emperor’s victories, to Awrangzēb while the latter was staying in a military camp at Islampuri (Belgrāmī, Ḵezāna-ye ʿāmera, Cawnpore, 1971, p. 553). The following year he was given a ǰāgīr in Rasaipur near Belgram, after which he was appointed the baḵšī and vaqāʾeʿ-negār (q.v.) of Gujarat, a position he held till 1116/1704-05, when he was appointed the vaqāʾeʿ-negār of Bhakkar (Maʾāṯer al-kerām, p. 261). Though largely unaffected by the political unrest following Awrangzēb’s death, ʿAbd-al-Jalīl did lose his job once at the instigation of Mīr Jomla, who had misunderstood a quatrain the poet had written in praise of Farroḵ Sīar. But with the help of the Sayyed brothers, ʿAbd-al-Jalīl regained his former position, which he relinquished only in 1130/1717-18 to his son Mīr Moḥammad. In 1132/1719-20 he returned to Belgram after an absence of sixteen years but soon left again for Delhi, where he died in 1138/1725. His body was sent back to Belgram, and he was buried next to his father (Maʾāṯer al-kerām, pp. 261-66).

ʿAbd-al-Jalīl represents the apogee of Indo-Muslim literary versatility. Not only was he thoroughly acquainted with poetics and prosody (fonūn-e šeʿr o ʿarūż), but he composed poetry in four different languages: Arabic, Persian, Turkish, and Hindi. He is especially noted for his skillful chronograms, which anticipate those of his grandson, the renowned Ḡolām-ʿAlī Āzād Belgrāmī. A ḥāfeẓ of the Koran, ʿAbd-al-Jalīl was also an expert in exegesis and Hadith. In music and philology he was sufficiently knowledgeable to have written books on both subjects (Sayyed Aṣḡar-ʿAlī Belgrāmī. Fārsī-e Belgrām, Hyderabad, 1347/1928-29, pp. 11-22).

As a writer, ʿAbd-al-Jalīl was prolific, but most of his works have not survived. Of those extant, several are maṯnavīs. The best known is Maṯnavī dar ʿarūsī-e Farroḵ Sīar. Composed in 1127/1714-15 to celebrate the wedding of the emperor Farroḵ Sīar and Rāǰā Aǰīt Singh Rathaur’s daughter, this maṯnavī never reached its royal patron. In despair, ʿAbd-al-Jalīl almost destroyed his own composition but later changed his mind. What he preserved has endured as a masterpiece of the Indo-Persian poetic tradition. It conveys a lucid picture of various marriage customs practiced by the Mughals. Details concerning wedding dresses, various kinds of food, fireworks, dancing, and music are narrated in a style that is at once compressed and mellifluous. In 1137/1724-25, ʿAbd-al-Jalīl composed another maṯnavī on the model of Maṯnavī dar ʿarūsī-e Farroḵ Sīar to commemorate the wedding of Eršād Khan, the son of a Mughal noble who was also a friend of ʿAbd-al-Jalīl. Still another maṯnavī was written in rīḵta or mixed style, being half Persian and half Hindi. It bears resemblance to Malek Moḥammad Jāʾesī’s Padmāvat, after which it is appropriately named (Rieu, Pers. Man., p. 1036b I ).

The most remarkable of ʿAbd-al-Jalīl’s verse compositions was a dictionary in verse drawing upon Arabic, Persian, Turkish, and Hindi sources. Jawāher al-kalām (Cat. Bankipore VIII, p. 143) is a unique testimony to ʿAbd-al-Jalīl’s mastery of all four of the languages in which he composed poetry. His interest in Hindi poetry is especially notable: It culminates a tradition among Indo-Muslim litterateurs which began with Amīr Ḵosrow and reached its high point during the reign of Akbar in the Padmāvat of Malek Moḥammad Jāʾesī and the Hindi dīvān of ʿAbd-al-Raḥīm Ḵān(-e) Ḵānān.

Among ʿAbd-al-Jalīl’s extant prose works are a selection of essays, Enšā-ye Jalīl, and a collection of letters, Roqʿāt-e Jalīl. The former was written in highly embellished, arabicized, and rhymed Persian prose. It is an account of ʿAbd-al-Jalīl’s journey to the Deccan. It sheds light on the early life of its author and provides useful information on Awrangzēb’s armies stationed in the Deccan. ʿAbd-al-Jalīl gives a first-hand account of one of the darbārs held at Islampuri, at which Awrangzēb conferred a manṣab (pay rank) on ʿAbd-al-Jalīl. The manṣab was later increased, when the poet composed chronograms in Arabic and Persian on the capture of Basantgarh, a stronghold of the Marathas. Enšā-ye Jalīl also includes an account of the subjugation of the Maratha fort at Suttara, but ends on a sad note with the depiction of Mughal armies devastated at Khawaspur due to unexpectedly heavy floods.

In literary style, Roqʿāt-e Jalīl starkly contrasts with Enšā-ye Jalīl. Addressed to his only son, Mīr Moḥammad, the text is simple, straightforward, anecdotal, and personal. In describing the multifaceted life of ʿAbd-al-Jalīl—his avocation of book collector, the excitement and occasional disappointment of his own literary pursuits, his patronage of Hindi poets, his relations with the Mughal aristocracy, and even his financial affairs—the Roqʿāt exemplify 18th century Indo-Persian prose at its best. It is small wonder that they influenced ʿAbd-al-Jalīl’s grandson, Ḡolām-ʿAlī Āzād, and helped to mold his terse but expressive prose style.

The ʿĀlamgīrī period of Indo-Persian poetry is usually noted for two trends, the composition of maṯnavīs and a renewed interest in Hindi on the part of Indo-Muslim poets. Each trend found lofty expression in ʿAbd-al-Jalīl’s verse. Later, Ḡolām-ʿAlī Āzād Belgrāmī inherited the rich legacy of his grandfather and transmitted it, in magnified splendor, to subsequent generations of Indian Muslims.

Bibliography:

ʿAbd-al-Jalīl, Enšā-ye Jalīl, Lucknow, 1289/1872; Makātīb, tr. in Oriental Miscellany I (Calcutta), 1789; Maṯnavī dar ʿarūsī-e Farroḵ Sīar, Lucknow, 1882.

Maqbūl Ṣamadānī, Ḥayāt-e Jalīl, Allahabad, 1929.

Moḥammad b. ʿAbd-al-Jalīl Belgrāmī, Tabṣerat al-nāẓerīn (Rieu, Pers. Man., pp. 963-64).

 

Search terms:

عبدالجلیل بلگرامی abdol jalil belgrami abdouljalil belgraami abdul jalil belgraami
abdoul jalil belgraamy abdaljalil belgramy abuljalil belgraami abdoljalil belgraamey

 

(M. Siddiqi)

Originally Published: December 15, 1982

Last Updated: July 14, 2011

This article is available in print.
Vol. I, Fasc. 2, pp. 119-120

Cite this entry:

M. Siddiqi, “'Abd-Al-Jalil Belgrami,” Encyclopædia Iranica, I/2, pp. 119-120; an updated version is available online at http://www.iranicaonline.org/articles/abd-al-jalil-belgrami (accessed on 15 January 2014).