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• AZERBAIJAN i. Geography

  X. de Planhol

• GĪLĀN vi. History in the 18th century

  EIr and Reza Rezazadeh Langaroudi

• CENTRAL ASIA xi. Economy from the Timurids until the 18th Century

  Robert D. McChesney

• IRAN vii. NON-IRANIAN LANGUAGES (4) Urartian

  Gernot Windfuhr

  Urartian was most likely the dominant vernacular around Lake Van and the upper Zab valley. It was written from the late ninth to seventh century BCE in the empire of Urartu.

• EDUCATION i. IN THE ACHAEMENID PERIOD

  Muhammad A. Dandamayev

• CHINESE-IRANIAN RELATIONS vii. Persian Settlements in Southeastern China during the T’ang, Sung, and Yuan Dynasties

  Chen Da-Sheng

  This Article Has Images/Tables.

• ARDAŠĪR B. DAYLAMSOPĀR

  cross-reference

  See ABU’L-ḤAYJĀ NAJMĪ.

• Isfahan xii. BAZAAR: PLAN AND FUNCTION

  Willem Floor

  The bazaar of Isfahan is one of the best-preserved examples of the kind of large, enclosed, and covered bazaar complex that was typical of most cities in the Muslim world prior to the 20th century. The oldest areas of the present-day bazaar date from the early 17th century; its first stone was laid in 1603.

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• GREAT BRITAIN i. INTRODUCTION

  Multiple Authors

• ISMAʿILISM iii. ISMAʿILI HISTORY

  Farhad Daftary

  On the death of Imam Jaʿfar al-Ṣādeq in 148/765 his followers from among the Imami Shiʿites split into six groups, of which two may be identified as proto-Ismaʿilis or earliest Ismaʿilis.

• GILĀN xix. Landholding and Social Stratification

  Christian Bromberger

  Prior to the Land Reform of 1962 that began the process of land redistribution, the dominant production system in Gilān, as in the majority of Persianprovinces, was of a feudal nature.

• CARPETS viii. The Il-khanid and Timurid Periods

  Eleanor Sims

  Persian carpets that can be indisputably identified a having been produced in the 8-9th/14-15th centuries are virtually nonexistent. That carpets were used and produced in Persia  has  been inferred from written sources, both contemporary and slightly earlier. The existence of carpets and weavings from contemporary Anatolia and the Turkman tribal confederations, and possibly also from Egypt and even Spain, also permits the inference.

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• FESTIVALS iii, iv, v

  Anne H. Betteridge and EIr, Philip G. Kreyenbroek, Keith Hitchins

  iii. SHI'ITE, iv. YAZIDI AND AHL-E HAQQ, v. KURDISH (SUNNI).

• BAHRĀM (1)

  G. Gnoli, P. Jamzadeh

  the Old Iranian god of victory, Avestan Vərəθraγna (“smiting of resistance”);  Middle Persian Warahrān, frequently used as a male proper name.

• JAPAN viii. SAFAVID STUDIES IN JAPAN

  Masashi Haneda

  The genesis of Safavid studies in Japan was an outgrowth of the interest in the history of the Mongols and the Turkic people, which is a significant point characterizing Safavid studies there.

• AFGHANISTAN v. Languages

  Ch. M. Kieffer

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• HAMADĀN ii. POPULATION

  Habibollah Zanjani

  This article is divided into two sections: (1) population of Hamadān province; and (2) population of Hamadān city.

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• AFGHANISTAN xiv. AFGHAN REFUGEES IN IRAN

  Zuzanna Olszewska

  Afghan refugees make up a population of up to 3 million people of various ethnicities, who have settled in Iran since the communist coup of 1978 in Afghanistan.

• GĪLĀN i. GEOGRAPHY AND ETHNOGRAPHY

  Marcel Bazin

  Gīlān includes the northwestern end of the Alborz chain and the western part of the Caspian lowlands of Persia. The mountainous belt is cut through by the deep transversal valley of the Safīdrūd between Manjīl and Emāmzāda Hāšem near Rašt. To the northwest, the Ṭāleš highlands stretch a continuous watershed separating Gīlān and Azerbaijan.

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• CENTRAL ASIA vi. In the 16th-18th Centuries

  Robert D. McChesney

  In the 16th-17th centuries Central Asia, includ­ing Transoxania, Greater Balḵ, and Ḵᵛārazm, witnessed a neo-Chingizid (Jochid) political revival, spearheaded by the ʿArabshahid/Shibanid (Shaibanid) lineage in Ḵᵛārazm and the Abulkhairid/Shibanid and Toqay-Timurid lines in Transoxania and Greater Balḵ. In the main, political life was shaped by the neo-Chingizid appanage system of state and its internal dynamic.

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• IRAN vi. IRANIAN LANGUAGES AND SCRIPTS (3) Writing Systems

  Prods Oktor Skjærvø

  Writing systems for Iranian languages include cuneiform (Old Persian); scripts descended from “imperial” Aramaic, two Syriac scripts, Hebrew, Arabic, Greek, Cyrillic, Georgian, and Latin.

• CHINESE-IRANIAN RELATIONS i. In Pre-Islamic Times

  Edwin G. Pulleyblank

• IRAQ vi. PAHLAVI PERIOD, 1921-79

  Mohsen M. Milani

  Relations between Iran and Iraq underwent three different phases between 1921, when Britain installed Faysal Ibn Hossein as king of a newly formed nation-state of Iraq and 1979, when the Pahlavi dynasty was swept away by revolution.

• Isfahan x. Monuments (3) Mosques

  Sussan Babaie with Robert Haug

  Isfahan is known historically for its large number of mosques. According to Abu Noʿaym of Isfahan, the first large mosque in Isfahan was built during the Caliphate of Imam ʿAli b. Abi Ṭāleb (r. 656-61). The French traveler Jean Chardin counted 162 mosques during his travels to Isfahan in the middle of the 17th century.

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• ART IN IRAN viii. ISLAMIC CENTRAL ASIA

  G. A. Pugachenkova

• GREECE vii. GREEK ART AND ARCHITECTURE IN IRAN

  Rémy Boucharlat

• HISTORIOGRAPHY vi. SAFAVID PERIOD

  Sholeh Quinn

  Safavid historiography, although developing unique features of its own, had its origins in the eastern Timurid tradition that was centered in Herāt.

• CARPETS i. Introductory survey

  Roger Savory

• HAFEZ xiii. - xiv. HAFEZ’S TOMB (ḤĀFEẒIYA)

  Kuros Kamali Sarvestani

  The Hafeziya is located south of the Koran Gate (Darvāza-ye Qorʾān) on the northern edge of Shiraz. It is on the site of the famous Golgašt-e Moṣallā, the pleasure ground often mentioned in the poems of Hafez and occupies about 19,000 square meters, incorporating one of Shiraz’s most famous cemeteries, Ḵāk-e Moṣallā.

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• JAPAN iv. Iranians in Japan

  Toyoko Morita

  Among the foreigners in Japan, Iranians total about 5,000 people, constituting a small minority group.

• GERMANY v. German travelers and explorers in Persia

  Oliver Bast

  Hans Schiltberger, a Bavarian soldier, was the first German to give an eyewitness account of his travels in Persia. Initially captured by the Ottomans in 1396, he later became a prisoner of Tīmūr at the battle of Ankara (1402).

• INDIA xx. PERSIAN INFLUENCES ON INDIAN PAINTING

  Barbara Schmitz

  Between about 1300 and 1600, Persian painting styles had a sustained impact on the Indian art at the Sultanate and Mughal courts as well as on Hindu painting styles. The earliest dated manuscripts from the subcontinent that rely on Persian models for some of their motifs are from the late 14th century.

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• ŠĀH-NĀMA v. ARABIC WORDS

  John Perry

  Moïnfar calculates that the Šāh-nāma contains 706 words of Arabic origin, occurring a total of 8,938 times. The 100 words occurring most frequently account for 60 percent of all occurrences.

• GILĀN xiv. Ethnic Groups

  Christian Bromberger

• IRAN v. PEOPLES OF IRAN (2) Pre-Islamic

  C. J. Brunner

  This survey focuses on the early phase of the Iranian-speaking peoples’ presence on the plateau, during the early state-building phase.

• ECONOMY viii. IN THE QAJAR PERIOD

  Hassan Hakimian

• CLOTHING xxii. Clothing of the Caspian area

  Christian Bromberger

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• ISFAHAN vii. SAFAVID PERIOD

  Masashi Haneda and Rudi Matthee

  Isfahan came under Safavid rule in 1503 following Shah Esmāʿil’s defeat of Solṭān Morād, the Āq Qoyunlu ruler of Erāq-e ʿAjam, near Hamadān.

• ISLAM IN IRAN vii. THE CONCEPT OF MAHDI IN TWELVER SHIʿISM

  Mohammad Ali Amir-Moezzi

  Mahdism in Twelver Shiʿism inherited many of its elements from previous religious trends.

• ART IN IRAN iv. PARTHIAN Art

  S. B. Downey

• EGYPT vi. Artistic relations with Persia in the Islamic period

  Jonathan M. Bloom

  Although direct evidence of artistic links between Persia and Egypt before the Mongol invasion of the Near East in the 13th century is limited, surviving works of art suggest that transfer of artistic ideas resulted from the movement of artisans and their works, rather than from the specific demand of patrons.

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• Greece i. Greco-Persian Political Relations

  Rüdiger Schmitt

  After subjugating the Medes, Cyrus II started his first expedition westwards. In 547 B.C.E. he turned against Lydia and its king, Croesus.

• Italy i. INTRODUCTION

  Carlo G. Cereti

  Direct relations between the Italian peninsula and the Iranian plateau date at least from the Parthian period,  when the border between the Arsacids and the Roman Empire was set on the Euphrates.

• HISTORIOGRAPHY i. INTRODUCTION

  Elton Daniel

  Historiography, literally, is the study not of history but of the writing of history. In modern usage, this term covers a wide range of related but distinct areas of inquiry.

• DONKEY i. In Persian tradition and folk belief

  Mahmoud Omidsalar and Teresa P. Omidsalar

  domesticated species descended from the wild ass, probably first bred in captivity in Egypt and western Asia, where by 2500 B.C.E. the domesticated donkey was in use as a beast of burden.

• HAFEZ viii. HAFEZ AND RENDI

  Franklin Lewis

  Rend, variously translated in English as “rake, ruffian, pious rogue, brigand, libertine, lout, debauchee,” is the very antithesis of establishment propriety.

• GEOGRAPHY i. Evolution of geographical knowledge

  Xavier de Planhol

  Geography of Persia and Afghanistan. The concept of Iran and ancient Iranian geography (Justi; Spiegel, I, pp. 188-243 and especially pp. 210-12; Herzfeld, pp. 671-720; Gnoli, 1980, 1989).

• INDIA xix. INDIAN LITERARY INFLUENCES ON PERSIAN LITERATURE

  Cross-Reference

  See Supplement.

• BAHAISM vii. Bahai Persecutions

  D. M. MacEoin

  Bahai persecutions were a pattern of continuing discriminatory measures against adherents and institutions of the Bahai religion, punctuated by outbreaks of both random and organized violence.

• KĀNUN-E PARVAREŠ-E FEKRI-E KUDAKĀN VA NOWJAVĀNĀN vii. Visual Arts Training Center

  Fereydoun Moezi Moghadam

  In the beginning, each artistic training program was independent, and the subjects were not coordinated under an overall artistic training management.

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