Table of Contents

  • SOGDIANA vi. SOGDIAN ART

    Markus Mode

    The development and apogee of Sogdian art was limited to four or five centuries before and during the Muslim conquest of Transoxania. Sogdian art of the heartlands flourished in the settled areas of the Zeravshan and Kashkadarya valleys, as well as in Ustrushana (Osrušana), north of the Turkestan mountain range.

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  • ŠOKUROV, MOḤAMMADJĀN

    Habib Borjian and Evelin Grassi

    (1925-2012), Tajik scholar and literary critic. From the late 1980s, in the milieu of glasnost, he cultivated an interest in the theory of modern Tajik culture, and he published copiously on the issues of the history and contemporary conditions of Tajik language, literature, and culture during the independence period after 1991.

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  • SOLAYMĀNI, Ātajān Peyrow

    Keith Hitchins

    (1899-1933), Tajik poet who blended the classical traditions of Tajik-Persian verse with the social themes of the new Soviet Central Asia of the 1920s and early 1930s.

  • SOLṬĀN WALAD

    Cross-Reference

    13th-14th-century Sufi shaikh and poet, son and eventual successor of Mawlānā Jalāl-al-Din Rumi(Mawlawi). See BAHĀʾ-AL-DĪN SOLṬĀN WALAD.

  • SORḴA

    Habib Borjian

    (locally: Sur), township and sub-province in Semnān Province.

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  • SORUSHIAN, Jamshid

    Carlo G. Cereti

    (1914-1999), a Zoroastrian community leader and author.

  • SOUR CHERRY

    Cross-Reference

    See ĀLBĀLŪ.

  • SOUR GRAPE jUICE

    Cross-Reference

    See ĀB-ḠŪRA.

  • SOUTH PERSIA RIFLES

    Floreeda Safiri

    (SPR), a locally recruited militia, commanded by British officers, and operating in the provinces of Fārs and Kermān from 1916 to 1921.

  • SOUTHEAST ASIA i. PERSIAN PRESENCE IN

    M. Ismail Marcinkowski

    Attention will be given to some of the most striking features of the Persian influences on Southeast Asian Islamic culture.