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French collections, both public and private, contain hundreds of Persian works of art. Some of these reached France during the Middle Ages, notably after the Crusades, but most of the great collections containing Persian art were created during the second half of the 19th century.This Article Has Images/Tables.
Vincent Hachard and Bernard Hourcade
The genuine beginning of Persian studies in France began with the foundation in Istanbul and Smyrna (Izmir) of a “School of languages for the young” in 1669 to train translators of Ottoman Turkish for French consulates.This Article Has Images/Tables.
The French contribution to pre-Islamic Iranian studies, both in philological studies and archaeology, has been considerable.
The history of French scholarship on modern Persia particularly in the field of social sciences was shaped by major external factors including the overall political relationship between the two countries and the radical changes which took place in the French university system and the organization of its scholarly missions to Persia in the latter half of this century.
The Institut français de recherche en Iran (IFRI) was established in its present form and under the above name in l983, although in Persia it is usually referred to as Anjoman-e īrān-šenāsī-e farānsa dar Īrān.
French schools in Persia had more varied roots than other foreign schools, originating from three distinct sources: Catholic, Jewish, and secular. Catholic schools were established by Lazarist missionaries, Jewish schools by the Alliance Israélite Universelle, and lay schools by Alliance Française.This Article Has Images/Tables.
The gradual entry of a large number of loan words into Persian from European languages and most notably from French began in the 19th century and continued through the 20th century as part of the process of modernization of culture and society in Persia.
The emergence of a Persian community in France can perhaps be traced back to 1272/1855-6, when Farrok Khan Ḡaffārī, Amīn-al-Molk, later Amīn-al-Dawla was sent to Paris as the shah’s envoy (īlcī-e kabīr).
Datus C. Smith, Jr.
(Moʾassasa-ye entešārāt-e Ferānklīn), an American non-profit corporation seeking to aid development of indigenous book publishing in the developing countries of Asia, Africa, and Latin America. The program in Persia (1954-1979, the first after Egypt) was the largest of the seventeen around the world.